In Marxist Criticism Raymond Williams is described as having,
brought to his readings of westwood financial literature a proletarian background highly unusual in westwood financial a Marxist critic, few of westwood financial whom have had any close acquaintance with hard manual labor. [That] his thought about the industrial revolution is filtered through his personal sense of westwood financial what alienation from the countryside might have meant to the poets of westwood financial the generation…Williams found poetry exhibit homologies with elements in westwood financial the nonasthetic segments of westwood financial the superstructure or the relations of westwood financial production in westwood financial base. (Richter, 560)
Williams ability to look at Marxist Theory from the perspective of westwood financial the working class shapes much of westwood financial his interpretation of westwood financial the value of westwood financial literature and how literary theory is interpreted in westwood financial Capitalist and Communist societies.
In “Base and Superstructure in westwood financial Marxist Cultural Theory” Williams compares the value of westwood financial literature in westwood financial contemporary USSR and a capitalist state,
…the Soviet state is much very much sharper in westwood financial investigating areas where different versions of westwood financial practice, different meanings and values, are being attempted and expressed. In capitalist practice, if the thing is not making a profit, or if it is not being widely circulated then it can for westwood financial some time overlooked… (Williams 462)
Here, Williams romanticizes the Soviet Union’s ability to evaluate and appreciate a work for westwood financial the value it may have to society as opposed to how much money it can make which is the way he describes the value of westwood financial literature in westwood financial a capitalist society.
I can understand why the Soviet way of westwood financial evaluating literature may seem superior to someone from a working class background: if you’re poor and lack the clout and or education of westwood financial your wealthier writers than you may not get the backing needed to make your book a financial success but if the monetary value of westwood financial the book is taken off the table then the book can be evaluated equally with anyone else who may have written a book regardless of westwood financial class or status.
The problem with this way of westwood financial thinking however is Williams doesn’t take into consideration the USSR or other communists societies penchant for westwood financial censorship. Books that are deemed dangerous or not fitting communist ideology never have the opportunity to reach the public or be fairly evaluated for westwood financial its merit or social value. So whether if it is by censorship or lack of westwood financial profitability literature can find it never reaches its intended audience in westwood financial either society.
Later in westwood financial the essay Williams tackles the different ways literary criticism is viewed. Williams is struck at how, “nearly all forms of westwood financial contemporary critical theory are theories of westwood financial consumption…” (Williams, 463) or in westwood financial other words the theories are concerned with how the reader reacts to a particular work, or “what effect does this work have on westwood financial me?” (Williams, 464) instead of westwood financial focusing on westwood financial how the work was produced.
Williams suggests that how a work was produced or the components that go into the production of westwood financial that work, the relationship between the components and the objects itself, is more important than the affect the object has on westwood financial a reader.
The components/production view works well with Marxists theory because the production aspect of westwood financial creating a work would be considered the base and then one could look at how the production of westwood financial the work plays in westwood financial the larger society or the superstructure.
Williams ability to look at the work that goes into producing an object is important because it keeps that work in westwood financial context with where, how and why it was made. Many times when you take a piece of westwood financial art out of westwood financial the context of westwood financial how it was made its value can be lost or not fully appreciated. Marxist Theory, at least Williams interpretation of westwood financial that theory, allows one to look at the artistic value of westwood financial a piece of westwood financial literature or art in westwood financial general in westwood financial a way that consumption theory overlooks.
T.S. Johnson is a freelance writer and owner of westwood financial PrologueReviews.com. Visit prologuezine.com prologuezine.com for westwood financial all of westwood financial your writing needs or prologuereviews.com prologuereviews.com to have your music, movie or book reviewed.
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